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电影《我来过》讲述了文艺而又忧郁的流浪画者余明来到了贵州苗寨，住进一位热情开朗的单身母亲季虹的客栈。每天，余明都默默地开始作画，描绘着这里的人生百态：苗寨本地姑娘夏花摇滚小青年泽宇；善良温和的主厨温大爷可爱逗趣的小女孩欢儿；上海夫妇、纪录片小组等等都在余明的笔下发生了定格。余明认为，生活是唯一的，他所看到的他所描绘的，那就是生活本来的模样。而每一幅画的背后都有着一段故事，它记录着真实的谎言、传达了不善表达的爱意、保留了耐人寻味的真相。。因缘起处，世事常因此而纠缠，无论你放心多少，在无能戡破人间诸多情事之时， 终究只是在自我的矛盾中挣扎。 悟空老和尚修行了四十余年，在行将圆寂之前，仍然要伴随他多年的徒儿莫白用钟声振铄心志，苟延性命，等的只是四十年前旧情人的一语谅解。 情人来了，一段冤孽了结了，悟空与旧情人也一同火化。烟消弥天，散落四方。悟空走了，年方十岁的莫白，孤独去投奔远亲韩大叔。道途中结识了一个五岁流浪顽童莫可，从此两人亲如兄弟，也开始了他纠结不清的一生。 莫白与莫可兄弟寄居韩家，受到韩大婶的歧视，但是韩家的掌珠若梅却与莫白与莫可相处的十分的亲热，莫白也尽一切心力来保护若梅和莫可。 莫可和若梅一道上学堂去读书、而莫白却努力的日夜工作来负担莫可的学费。柳大娘的磨坊里，深夜之中仍看得道莫白工作的身影，而莫白也与柳大娘建立起如母子般的感情。 十五年一晃而过，莫白、莫可和若梅...。This Film seems to be some kinda sequel to the Hunted City. Comissario Ferro comes from Rome to Milan. The violence is at a all time high. Gangsters dress up with some bizarre Carnival-masks. They use this outfit to liquidate some opponents. Ferro is no friend of such behavior and so he uses his gun the traditional way and lightens their masses a little bit. Even though the ending is a bit disappointing, the film contains a great fight in a plastic-factory with lots a white plastic bottles. Visually nice! I like the documentary-style of Massis Camera very much. It makes the film so involving and real. His Experience in the Western-Genre as Camera operator in films like "C'e Sartana vendi la pistola..." and "Dio Perdoni la mia Pistola" sure comes in handy. Joan Collins had no trouble with face-surgery at that time.。