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香港女孩德馨（蔡卓妍 饰）为寻父来到台湾，因为一次阴差阳错的误会，她结识了明星柏野（贺军翔 饰），并在其帮助下找到了父亲杨庆泰（姜厚任 饰）。原来，父亲已在上海创业，柏野因拍戏约德馨一起来到上海，德馨的同行阿力（陈至恺 饰）也来到家族在上海的分公司。柏柔（李晟 饰）是柏野的妹妹，原想去欧洲发展，但为了助男友王瑞（王凯 饰）实现做导演的梦，她把哥哥资助她的钱全投在了王瑞身上，刚开始柏野极力阻止妹妹的荒唐做法，但最终无奈接受了现实。因杨庆泰也是柏野初恋情人惟晨的父亲，所以他坚决反对女儿和柏野交往，这让德馨很是伤心。后来，杨庆泰生意失败，他把女儿当成了东山再起的筹码......。《大宅门》由郭宝昌出任编剧和导演，2001年荣获中央电视台收视冠军。 剧中讲述了医药世家白府经历清末、民国、军阀混战、解放等时期的浮沉变化，忠实地反映了同仁堂这个大家族随着国家、民族的历史发展而发展的渐变过程。故事横跨光绪年间、1900年八国联军侵入北京、1911年清朝覆灭、1931年九·一八事变、1937年七·七卢沟桥事变。官场恩怨、情场爱恨、商场输赢。谱写了一曲“宅门”史，展一幅波澜壮阔动荡社会生活画卷，父母子孙、妻妾丫妓、至爱亲朋；“宅门”人，谱一曲世态炎凉悲欢离合命运之歌。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。