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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。迈克尔（彼得·盖勒 Peter Gallagher 饰）凯西（达丽尔·汉纳 Daryl Hannah 饰）是一对交往多年的恋人，两人之间的感情十分的要好。这一次，他们来到了位于希腊的圣托里尼岛，准备在这里享受他们长达两个月的暑假。 一次偶然中，迈克尔在天体角邂逅了名为丽娜（瓦莱丽·凯内桑 Valérie Quennessen 饰）的考古学家，美丽而又活泼的丽娜很快就吸引了迈克尔的注意，随着时间的推移，两人走到了一起。凯西是一个非常保守的女性，她担心自己在性吸引力上无法满足迈克尔，于是私底下做了很多的功课，不仅如此，她还加入了迈克尔和丽娜，三人在希腊热烈的阳光之下开始了一段三人关系。。