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开朗率真的于小强，嫁给了服装公司的刘光耀，7年后，刘光耀的事业上升，于小强却成为无所事事的家庭主妇。由于丈夫出轨，于小强跟刘光耀离婚。离婚后一无所有的于小强，遇到比自己小6岁的电脑工程师鲍家明。 鲍家明是安徽茶商的后代，他不甘心过父母安排的人生，独闯上海，成为一名电脑工程师。于小强和鲍家明在各自人生的最低谷，相遇相识并开始重新创业。但是，这段“姐弟恋”却不被看好，家明家庭强烈反对。但是当于小强怀有前夫孩子的时候，鲍家明却愿意站出来给无辜的孩子当父亲。美好的爱情让这对在年龄、经历都相差甚远的人终于结为夫妻。婚后，他们同甘共苦，用奋斗和真情克服重重难关，于小强蜕变成人人都爱的好媳妇，鲍家明也成长为一个有担当、有责任感的新时代好男人。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。