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讲述了前特种部队士兵约翰·戈尔德有机会将肖恩·蒂格绳之以法。几年前，蒂格在东欧执行最后一次任务时背叛了他的团队。戈尔德很乐意看到蒂格死去，但他被说服帮助把他送到军事监狱，以偿还他的罪行。一路上，黄金将不得不击退试图救出他的蒂格团队，以及一名似乎一心要杀死蒂格的狙击手。。新进巡捕房警员刘美力是个英俊秀气的男孩，眉宇之间总是有着一股难以言喻的忧郁，且有一个叫“美丽”的外号。他从小在风韵的母亲及三个漂亮姐姐的呵护下长大。为了证明自己，不顾家人的反对报考新式警校。毕业分发警局时仍然躲不过女系家人的保护：姐夫梁警长分配美力去巡街，可没想到美力意外地混进黑帮当了卧底。以狠劲出名的黑社会头目光辉哥，发觉自己有点性取向错位，于是偷偷求助心理医生，同时发现了刚加入组织的美力居然是卧底警察。出于对美力的钟爱，并想借此洗白自己，光辉哥使出了“反卧底”的招数。 与此同时，刚从美国回来的yoyo，一个十足的极品女孩，可是举手投足却满是男孩的帅气。最后因为任性的行为让自己陷入危机之中，而当卧底的警员美力早已不可自拔的爱上了她。黑社会与警方进行着你来我往的尔虞我诈，而思想简单的美力在这其中却毫无所觉……。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。